[27] Principal photography began on June 23, 1997 and was completed over a 28-day period,[13][17][60][61] primarily on stages 22 and 26 at Sony Picture Studios in Culver City, California,[35] which had been the location of MGM Studios during what is now revered as "the golden age of the movie musical. [110] While praising the performances of Houston, Peters and Montalban, Ellin joked that "Cinderella's glass slippers are far too big for Brandy", criticizing her acting while saying that the singer "delivers her lines so timidly and flatly that it's hard to stay focused on the story when Brandy is on the screen", concluding that her co-stars "only makes her weak acting all the more glaring", and causing her to wonder how the film would have turned out had Houston been cast as the lead instead. [37] Despite concerns that Hart's "biting" lyrics would sound too abrasive against the rest of the score, James, Hammerstein's son, was very much open to the idea. [35][72] Rodgers & Hammerstein's Cinderella was a major ratings success, breaking several television records much like the original did. [12] However, this idea was abandoned due to conflicts between Houston and Brandy's respective record labels. [20] Performed while they prepare for the ball,[54] the song was offered "a driving, up-tempo arrangement" for Peters. [19][31] Montan, who oversees most of the music for Disney's animated films, had been interested in crossing over into live-action for several years and identified Cinderella as one of the first opportunities in which he was allowed to do so. [16][36] They hosted the table-read at the Rihga Royal Hotel in New York City, one of Houston's favorite locations at the time. [36][70] The Brooklyn Paper estimates that Goldberg wore approximately $60 million worth of jewelry for the film. [20] Describing the project as both a major opportunity and responsibility, Alexander acknowledged that Cinderella's failure to succeed could potentially jeopardize the future of musical films altogether. Cinderella currently has a score of 97% on Rotten Tomatoes. Adapted from Oscar Hammerstein II's book, Freedman modernized the script to appeal to more contemporary audiences by updating its themes, particularly re-writing its main character into a stronger heroine. Release Date Title Production Budget Opening Weekend Domestic Box Office Worldwide Box Office; Jun 25, 2019: Cinderella II: Dreams Come Feb 6, 2007 However, development was delayed for several years, during which time the network grew disinterested in the project. [109] Harlene Ellin of the Chicago Tribune wrote that, despite its aesthetics and color-blind casting, the film "lacks the requisite charm and spark", concluding that the production "doesn't capture the heart" despite its beauty. [20] The producers hoped that the cast's diversity would enhance the film's "universal appeal" and interest children of all ethnicities. after the company endured box office bombs with Fantasia and Bambi (pictures that would later become more successful with re-releases); . Con Brandy Norwood, Bernadette Peters, Veanne Cox, Natalie Desselle Reid. Describing it as "effortlessly, even unintentionally, progressive", Thomas wrote that the film "forecast a world with far more possibility; it's a film made for the future. [95] On February 4, 2021, Brandy announced on The View that the film would be released on Disney+ on February 12, 2021. "[106] Describing the film as "big, gaudy, miles over the top and loads of fun", Variety's Ray Richmond found some of its aspects distracting and opined that the entire project "could have been toned down a notch and still carried across plenty of the requisite spunk. You might also like See More Riding High. Despite being apprehensive about introducing herself to him, the pair bond upon realizing that both are dissatisfied with their sheltered home lives. [2] Houston remained heavily involved in the film's production aspects, despite being relegated to a supporting acting role, retaining final approval over all creative decisions, particularly its multiracial cast. [20] Furthermore, Alexander insisted that Lionel be different from his Seinfeld character George Costanza, despite Freedman originally writing several in-jokes that alluded to Alexander's most famous role, prompting him to revise several of the actor's scenes accordingly. [16] Houston believed strongly in the story's positive moral "that nothing is impossible and dreams do come true," encouraging the filmmakers to imbue their version of Cinderella "with a 90s sensibility but to remain faithful to the spirit of the original. makes preparations for her two daughters to attend in the hope the Prince may choose one of them to be his. [69] Mandy Len Catron, author of How to Fall in Love with Anyone: A Memoir in Essays, believes that the film remains "The only truly diverse version of the fairy tale" as of 2017. [4], According to Ray Richmond of Variety, Freedman's teleplay is faster in pace and contains more dialogue than previous versions,[2] although A Problem Like Maria: Gender and Sexuality in the American Musical author Stacy Ellen Wolf believes that the teleplay borrows more from the 1957 version than Joseph Schrank's 1965 version due to sharing much of its humor, dialogue and gender politics with Hammerstein's book. [35] Due to the film's child-friendly message, children and family members of the cast and crew visited the set regularly, including Houston's daughter Bobbi Kristina Brown and husband Bobby Brown. "[17][37] In September 1997, Disney Telefilms president Charles Hirschhorn identified the film as the studio's most costly upcoming project. [37] Meanwhile, the villagers' costumes range in style from "nineteenth-century peasant chic to '40s-esque brocade gowns with exploding collars, bustles, and ruffles. Release Date Mar 4, 1950. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. "[51], Martha Tesema, a writer for Mashable, called the film "the best live-action princess remake", writing that it "deserves just as much praise now as it did then. [115] Rodgers & Hammerstein's Cinderella was the 13th most nominated program at that year's ceremony. Tonight's trending movie pick is the Family/Fantasy/Musical movie Cinderella (1997).Synopsis: Although mis. [42] The filmmakers found this song particularly easy to incorporate. [49] The original song lacked a bridge and was deemed inferior to Houston's trademark vocals,[37] thus it was combined with the bridge from "One Foot, Other Foot" from Rodgers and Hammerstein's musical Allegro (1947). 4. [49] The actor concluded "There's no reason why this can't be the norm. [79] Rodgers and Hammerstein's Cinderella was released on VHS February 10, 1998, a mere 101 days after premiere. [12] Three songs not featured in previous versions of the musical were added to augment the film's score,[48] each of which was borrowed from a different Rodgers and Hammerstein source;[9][13][35][53] these additions are considered to be the most dramatic of the changes made to the musical. [11][128] Additionally, Montalban has reprised his role as the prince in both regional and touring productions of Cinderella, some of which have been directly based on or inspired by the 1997 film. [92], Shortly after the film's premiere, audiences soon began demanding a swift home video release, which the studio soon began bringing to fruition. Rodgers & Hammerstein's Cinderella is a 1997 American musical telefilm produced by Walt Disney Television. "[65] However, the film's budget is one of the lowest among the contemporary Cinderella adaptations. $182 million [2] Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. "[4] Houston found the most impressive part of the remake to be "the lessons youngsters can learn about dreams and self-image". The Stork Club . [47] Den of Geek ranked the film the second best "Cinderella" adaptation, describing it as "the first time the story truly felt magical" and writing "Almost twenty-five years later, this adaptation still feels like the television event it was when it premiered. In addition to Cinderella herself, Mirojnick costumed all female guests attending the prince's ball in various shades of blue, ranging from aqua to sapphire;[49] Meron believes that Mirojnick's use of color in the characters' costumes distracts from the various skin colors of the film's actors. No returns, but backed by eBay Money back guarantee. "[16] Executive producer Debra Martin Chase explained that, despite enjoying Warren's performance as Cinderella, she and Houston "realized we never saw a person of color playing Cinderella", explaining, "To have a black Cinderella is just something. Blue Jasmine (2013)91%. [37] The main characters were dressed in costumes that complemented their roles and personalities, the stepfamily's "loud" dresses in contrast to Cinderella's warmer, more neutral tones. Co-produced by Whitney Houston, who also appears as Cinderella's Fairy Godmother, the film stars Brandy in the titular role and features a racially diverse cast consisting of Jason Alexander, Whoopi Goldberg, Bernadette Peters, Veanne Cox, Natalie Desselle, Victor Garber and Paolo Montalban. Cinderella grows dismayed and wishes to leave when the King and Queen ask her about her background, but her Fairy Godmother encourages her to stay. "[89], Brandy Norwood reprises her role as Cinderella in the Disney+ film The Pocketwatch, part of the Descendants franchise.[149]. Brand new: Lowest price. Home video promotional poster, featuring Houston and Brandy as their respective characters. "[137] Following its success, Disney considered adapting the fairy tale "Sleeping Beauty" into a musical set in Spain featuring Latin music, but the idea never materialized. [20] The filmmakers wanted to prove that Stepmother is not simply "an evil harridan" but rather a "product of bitter experience",[20] for which Freedman himself suggested "Falling in Love With Love". [37], Brandy found the recording process "challenging" because the film's songs were different than any material she had recorded before, explaining that she was nervous since her "voice wasn't fully developed", especially in comparison to her idol Houston and at times struggling to project. Despite this, Cinderella proved a major ratings success, originally airing to 60 million viewers and establishing itself as the most-watched television musical in decades, earning ABC its highest Sunday-night ratings in 10 years. The overview of the film is, "The rich colors, sweet songs, adorable mice, and endearing (if suffering . [17] Cosmopolitan's Alexis Nedd wrote that the film's final cast consisted of "Broadway stars, recording artists, relative unknowns, and bona fide entertainment superstars. [122] According to Zadan, Cinderella's success "helped secure a future for musicals in the 'Wonderful World of Disney' slot", whose film company Storyline Entertainment started developing new musicals for the series shortly afterward, including Annie (1999). The clock strikes midnight as Cinderella and the Prince share their first kiss, but Cinderella flees on foot while the spell is reverted, leaving behind a single glass slipper. Cinderella will waltz into the hearts of the entire family and live happily ever after as one . [39] Casting the stepmother proved particularly challenging since most of the white actresses considered for the role felt uneasy about acting cruelly towards a Black Cinderella; Bette Midler was among several actresses who declined. [96][97], Playbill's Rebecca Paller reviewed the New York screening as "overflowing with star performances, lavish sets" and "lush rainbow-hued costumes", describing its score as "fresher than ever. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. [64] During the 25th anniversary reunion special aired on ABC on August 23, 2022,[68] Brandy revealed that all of the closeup shots of Cinderella's feet in the glass slippers were done by a foot model with smaller feet than her own size 9, joking that "size nine shoes look like size 12 on TV". [20][56] Additionally, samples of "Impossible" and the wedding march were interpolated into its melody. When Cinderella's stepfamily return home, they begin sharing embellished recounts of their evening. [118][119] Rodgers & Hammerstein's Cinderella was nominated for three NAACP Image Awards, including Outstanding Television Movie, Mini-Series or Dramatic Special,[citation needed] while both Brandy and Goldberg were nominated for an NAACP Image Award for Outstanding Lead Actress in a Television Movie or Mini-Series. . [34][38][41], Cinderella was provided with a more empowering motive in that her fairy godmother reminds her that she has always been capable of bettering her own situation; she "just didn't know it" yet. [16] Mary Rodgers and James Hammerstein, relatives of the original composers, also approved this casting decision, with Mary maintaining that the production remains "true to the original" despite contemporary modifications to its cast and score,[35] and James describing the film as "a total scrambled gene pool" and "one of the nicest fantasies one can imagine. [51], Freedman's final teleplay is 11 minutes longer than previous adaptations, in turn offering several opportunities for new songs, some of which the producers felt necessary. [16] Aware that the film could potentially be groundbreaking, Freedman, Zadan and Meron collaborated on several new ideas for the remake, among them ensuring that Cinderella "was defined by more than falling in love", providing her with her own story arc that is beyond simply finding a love interest. Cinderella. [65] The film was released on DVD on February 4, 2003. (4,798) 7.7 1 h 17 min 1965 X-Ray G. A sparkling fantasy of music, magic and romance, Rodgers & Hammerstein's Cinderella captivates from overture to finale with a delightful score and stunning flittering performances from an all-star cast. "[16] Kelsie Gibson of PopSugar wrote that the film is superior to Disney's other princess-themed offerings from the 1990s. The decision to use a color-blind casting approach originated among the producers to reflect how society had evolved by the 1990s, with Brandy becoming the first Black actress to portray Cinderella on screen. [87] On February 14, 1999 (Valentine's Day), ABC re-aired the film,[21] which was watched by 15 million viewers. MPAA PG. [16] The singer eventually aged to the point at which she no longer felt suitable for the role of Cinderella. Rodgers & Hammerstein's Cinderella is regarded by contemporary critics as a groundbreaking film due to the unprecedented diversity of its cast and Brandy's role. [5] The final actor to audition for the film,[36] Paolo Montalban was ultimately cast as Prince Christopher in his film debut;[23] Montalban had been an understudy in Rodgers and Hammerstein's musical The King and I at the time.

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