archetypal criticism in othello

Uncover new sources by reviewing other students' references and bibliographies, Inspire new perspectives and arguments (or counterarguments) to address in your own essay. He interprets literature in the light of various rituals and myths. He offers throughout the play multiple justifi cations for his intrigue: He has been passed over in favor of Cassio; he suspects the Moor and Cassio with his wife, Emilia; he is envious of Cassios open nature; and he is desirous of Desdemona himself. In Othello, the plot meets the definition of both Aristotle and Shakespeare on a tragedy. Othello is a tragedy plan written by William Shakespeare. His demise was of his own doing. But Jos van Meurss critically annotated 1988 bibliography, Jungian Literary Criticism, 1920-1980, effectively challenges this claim. - Alfredo Alvarez, student @ Miami University, We use cookies to provide the best possible experience on our site. The Shakespearean tragedy Othello contains a number of themes; their relative importance and priority is debated by literary critics. As the story unfolds Othellos character evolves in an extremely tragic way as Iago manipulates him and leaves him to rot in his misery. Cultural criticism is exploring or examining the relationship of dominant role based on ethnicity, and sexual identity of person, also a great understanding of yourself. The present essay, "Archetypes of Literature," is taken from the book. Finally, Othello arrives giving him the opportunity to renew his marriage vows to Desdemona: It gives me wonder great as my content Baltimore: Johns Hopkins University Press, 1994. One excellent example of such an approach, G. M. Matthews's 'Othello and the Dignity of Man', has been referred to at the end of the section devoted to historical and social criticism. Othello is decisive, confident, and secure in his identity, duty, and place in the world. For more information on choosing credible sources for your paper, check out this blog post. And smote himthus. Othello: I greet thy love, The storm that divides the Venetian fleet also disperses the Turkish threat and clears the way for the lovers happy reunion and peaceful enjoyment of their married state. archetypal criticism in othello america undercover life of crime Juni 12, 2022. used kawai upright piano . What hooks you? As the handkercheif is stolen from Desdemona, Othello believes that she has become unfaithful to him, which leads him down a jealous path and eventually kill her. Given this background, it is not surprising to find in a 1976 essay entitled Jungian Psychology in Criticism: Theoretical Problems the statement that no purely Jungian criticism of literature has yet appeared (Baird 22). Both Desdemona and Othello defy by their words and gestures the calumnies heaped upon them by Roderigo and Brabantio and vindicate the imperatives of the heart over parental authority and custom. If Hamlet is a tragedy about youth, and Lear concerns old age, Othello is a family or domestic tragedy of a middle-aged man in which the fate of kingdoms and the cosmos that hangs in the balance in Hamlet and Lear contracts to the private world of a marriages destruction. The next significant development in archetypal theory that affected literary studies grew out of the effort made by U.S.-born, Zurich-trained analyst James Hillman (b. However, in William Shakespeare's Othello, Emilia's character portrays three completely different archetypes and they all come through in strategical places. He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. Eliot, Samuel Taylor) characterize themselves as realists, pragmatic, practical, eschewing the supporters of the so-called weaker Othello, who conversely tend to describe themselves as somehow morally elevated, more empathetic. what is wrong with franklin baby on tiktok. Othello assumes that Emilia is helping Desdemona in her infidelity. The young Venetian noblewoman, Desdemona, has eloped with the middle-aged Othello, the military commander of the armed forces of Venice. OTHELLO: My name, that was as fresh. But Jung's theory of the archetypes of the collective unconscious differs . "), "An Archetype Criticism of Othello, a Play by William Shakespeare." Child and Youth Care and Disability CYC 3000 Assignment: Getting to Know Disability Justice A deep dive into activists introduced by L. Lakshmi Piepzna-Samarasinha Due Week 2, Friday at 11:59p It is important that you begin to learn about the various people and organizations that are leading the conversation on disability justice. The first systematic application of Jungs ideas to literature was made in 1934 by Maud Bodkin in Archetypal Patterns in Poetry: An attempt is here made to bring psychological analysis and reflection to bear upon the imaginative experience communicated by great poetry, and to examine those forms or patterns in which the universal forces of our nature there find objectification (vii). "He is, in a sense, a 'self made man', the . . She does not fight back nor call for help, Desdemona begs for her life asking to Kill me (Desdemona) tomorrow; let me live tonight! (V.ii.97). The formerly self-sufficient Othello has now staked his life to his faith in Desdemona and their union, and she has done the same. In addition, he modified and extended his concept over the many decades of his professional life, often insisting that archetype named a process, a perspective, and not a content, although this flexibility was lost through the codifying, nominalizing tendencies of his followers. After Othello returns from war at sea with the Turks, his fortune begins a downward spiral. His works range from ingenious poems, such as Fear No More, to plays, such as The Tragedy of Othello. Othello must now face the realization of what he has done. According to Hillman, that discourse was anticipated by Evangelos Christous Logos of the Soul (1963) and extended in religion (David L. Millers New Polytheism, 1974), philosophy (Edward Caseys Imagining: A Phenomenological Study, 1976), mythology (Rafael Lopez-Pedrazas Hermes and His Children, 1977), psycholinguistics (Paul Kuglers Alchemy of Discourse: An Archetypal Approach to Language, 1982), and the theory of analysis (Patricia Berrys Echos Subtle Body, 1982). The essays in our library are intended to serve as content examples to inspire you as you write your own essay. Iago tries to prove Desdemona is having an affair with Cassio which increases Othello's torments of jealousy. The story opens on Briony Tallis, a 13-year-old growing up in the upper-middle class in England in 1953 with . FREE Archetype Essay Essay - Example Essays This recurring idea of an evil witch is extremely common and archetypal. (V.2.316, 323) It is beyond a doubt Othello's fault that all of this wreckage befalls him, and his still has not had a moment of recognition of his failures at reasoning and understanding. Iago: My friend is dead. An archetype criticism of othello, a play by william shakespeare. Altho a tragic ending it may be, Othello couldn't stand being a such a fool to have believed such lies about his one and only love. Key quotation (Aside) O, you are well tuned now!But I'll set down the pegs that make this music, As honest as I am. Kibin, 2023. http://www.kibin.com/essay-examples/an-archetype-criticism-of-othello-a-play-by-william-shakespeare-yJF4zltX. Desdemonas true morals is her absolute devotion to her husband. Spring: A Journal of Archetype and Culture, Spring: An Annual of Archetypal Psychology and Jungian Thought, The Golden Bough: A Study in Magic and Religion, Analysis of Stuart Halls Encoding/Decoding, Jacques Derrida's Structure, Sign and Play. Literary Theory from 1900 to 1966: A-Z A Alexander Chirila First published: 24 December 2010 https://doi.org/10.1002/9781444337839.wbelctv1a009 Read the full text PDF Tools Share Abstract Archetypal criticism is a form of analysis based on the identification and study of recurring symbolic and mythic patterns. Unfortunately, this got the ball rolling for Othello's inevitable downfall. A fig! Self-interest is all that matters, and love is merely a lust of the blood and a permission of the will. Othello and Desdemona cannot possibly remain devoted to each other, and, as Iago concludes, If sanctimony and a frail vow betwixt an err-ing barbarian and a super-subtle Venetian be not too hard for my wits, and all the tribe of hell, thou shalt enjoy her. The problem of Iagos motivation to destroy Othello and Desdemona is not that he has too few motives but too many. If it were now to die This article, then, treats the only form of literary theory and criticism consistent with and derived directly from the psychological principles advanced by Jung. However, the Moor and Alfiero join forces to kill Disdemona, beating her to death with a stocking filled with sand before pulling down the ceiling on her dead body to conceal the crime as an accident. Thus, all contrastive categorization would benefit from archetypal analysis. Frye, however, notably in Anatomy of Criticism, essentially redefined and relocated archetype on grounds that would remove him unequivocally from the ranks of Jungian critics by severing the connection between archetype and depth psychology: This emphasis on impersonal content has been developed by Jung and his school, where the communicability of archetypes is accounted for by a theory of a collective unconsciousan unnecessary hypothesis in literary criticism, so far as I can judge (m-12). Thus criticism evolving from his work is more accurately named archetypal and is quite distinct from myth criticism. Othello demonstrates all of these characteristics in the play, proving him to be a tragic hero. As Dian's visage, is now begrimed and black. On a general level, Jungs and Fryes theorizings about archetypes, however labeled, overlap, and boundaries are elusive, but in the disciplines of literature the two schools have largely ignored each others work. Eventually, this leads to Othellos suicide. Just another site. Categories: Archetypal Criticism, Literary Criticism, Literary Theory, Myth Criticism, Psychoanalysis, Tags: Achetypes, Alchemy of Discourse: An Archetypal Approach to Language, Anatomy of Criticism, Archetypal Criticism, Archetypal feminist criticism, Archetypal Patterns in Poetry, Archetypal Psychology, Archetypal Theory, Archetypal Theory and Criticism, Archetypal Theory Criticism, Claude Levi-Strauss, Ernst Cassirer, Evangelos Christou, Francis Fergusson, Frazer, Gilbert Durand, Henri Corbin, Hermes and His Children, Hillman, Imagining: A Phenomenological Study, J. G. Frazer, J. G. Frazer The Golden Bough, James Hillman, Jessie Weston, Joseph Campbell, Jung and the Humanities: Toward a Hermeneutics of Culture., Jung's Psychology of the Unconscious, Jungian Approach to Literature, Leslie Fiedler, Literary Criticism, Literary Theory, Logos of the Soul, Maud Bodkin, Myth, Myth theory and crticism, New Polytheism, Northrop Frye, Philip Wheelwright, Psychoanalysis, Rafael Lopez-Pedraza, Richard Chase, Spring Journal, Spring: A Journal of Archetype and Culture, Spring: An Annual of Archetypal Psychology and Jungian Thought, The Golden Bough, The Golden Bough: A Study in Magic and Religion, Alchemy of Discourse: An Archetypal Approach to Language. 1924) to move beyond clinical inquiry within the consulting room of psychotherapy to formulate archetypal theory as a multidisciplinary field (Archetypal 1). Othello decides the only way to right his wrong is to take his own life. But the great literary text for Jungs life and work was Johann Wolfgang von Goethes Faust, not because of its literary qualities but because he sensed that the drama expressed his own personal myth (Letters 1:309-10). New theoretical approaches appear to legitimize orthodox Jungian ways of reading, sanction Jungs range of literary preferences from She to Faust, and support his highly affective reaction to Ulysses, which he himself identified (positively) as a subjective confession (i5:io9n). Even French feminist Julia Kristeva has been brought to praise a Jungian contribution to feminist discourse on the maternal: recognition that the Catholic churchs change of signification in the assumption of the Virgin Mary to include her human body represented a major shift in attitude toward female corporaiity (113). Farewell / Commend me to my kind lord. Aristotles theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in. Beat a Venetian and tradud the state, A tragic hero is a hero nonetheless, but it all comes down to how they hold themselves together in the face of. Othello is a train wreck that the audience horrifyingly witnesses, helpless to prevent or look away. I took by th throat the circumcisd dog, The patterns are the major intrinsic aspects of a work. Rashness: The play is replete with rash decisions. But Wheelwright, for example, barely mentions Jung (The Burning Fountain, 1954), and he, Fergusson, and others often owe more to Sigmund Freud, Ernest Jones, Oedipus Rex, and the Oedipus complex than to anything taken from Jung. It is in Act 3 Scene 3 where Othello takes on a new persona, where his confidence and happiness is tragically replaced with jealousy and rage. The movie Zootopia uses animals to portray racism and sexism; predators do not like prey and vice versa. The first two acts of the play enact the standard pattern of Shakespeares romantic comedies. In the beginning of the play, Othello is seen as content with his new bride: For know, Iago, But that I love the gentle Desdemona (1.2.24-25). Othello was crafted at the dawn of the 17th century, shaped by complex social and geopolitical issues that new historicist critics, who seek to place literary works within a historical framework, have recently sought to unravel.

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